After Life, created by Ricky Gervais, seems to be a quest to show just what it would mean to grieve in the wrong way. While grief counselors and well-meaning supporters will often assure us there is “no right or wrong way to grieve,” the central character, Tony, is destined to be an exemplar for how badly things can go when someone takes that advice to heart.
Tony recently lost his wife along with his will to live. Even without a will to live, though, he keeps living in spite of himself, partly because the dog needs to be fed. Maybe he really does feel an obligation to the dog, or he really wants to live, or he is just afraid to die. It doesn’t really matter why he keeps living, maybe, but several characters do make note of the fact that he does, in fact, find a reason to go on each day, even if he can’t say what it is.
So he goes on without wanting to live, which he feels gives him the freedom to do things he never would have done before. Of course, he always had the same freedom, but his suicidal ideation has now made him aware of it. The fact that suicide is on him mind tells him that if something he does causes things to get even more unpleasant for him, he will simply end it all.
This is, of course, a central tenet of existentialism, especially as articulated by Jean-Paul Sartre. Humans have radical freedom to choose their actions because they can annihilate themselves at any time. This annihilation can come in the form of suicide or simply choosing to become a different person. Sure, you can’t actually become a different person, but you can choose radically different actions, and we are defined by what we do.
Suicide is also the central question for another existentialist, Albert Camus, of course, but for Camus the question of suicide should challenge us to find meaning for our lives each and every day. If I’ve chosen not to kill myself today, I must have a reason. I should be aware of what it is I am living for. If it is just to feed the dog, then so be it.
But Tony isn’t so far along his journey yet. He’s engaged in a little game theory such as that discussed by Robert Nozick and other philosophers. He’s decided that being a decent person isn’t a good bet in the game of life. While it would be better if everyone were nice, that is not the case. Consequently, nice people consistently lose ground to the selfish people around them. Tony reasons it is better to be a rotten person benefiting from the kindness of a few naïve but altruistic people than to be a nice person expending energy on people and getting nothing in return.
So Tony is pretty awful to everyone around him. I don’t think there is any need for a spoiler alert here as this is all laid out in the first minutes of the first episode. Tony does some awful things that have awful consequences for people who come into his contact. Brief flashes of remorse or regret let us know an empathetic individual still lurks in there somewhere, but people risk real harm by coming into contact with Tony.
In the Parable of the Mustard Seed, Buddha tells the grieving Kisa Gotami to go to all her fellow villagers and collect a mustard seed from everyone not touched by grief. She returns empty handed, of course, as everyone is touched by grief. Like Kisa Gotami, Tony slowly learns this lesson, and it changes him.
In the end, though, I think existentialism drives the series more than Buddhism, but it is Simone de Beauvoir who gets the final say. Beauvoir believed, as did the other existentialists, that to be human is to be free if we constantly practice freedom as an act of will as Tony has decided to do. However, as we will ourselves to be free we must also recognize the freedom of others and will them to be free as well.
We must all suffer, but our suffering is shared by all those around us as both Kisa Gotami and Tony learn. Recognizing that means we will move forward with compassion and kindness, and that is the greatest freedom there is.